+ Biography

• 1998 · MA in Fine Arts, Royal Academy of Arts, London, UK
• 1995 · BA in Fine Arts, Chelsea College of Art & Design, London, Uk
• 1991-2 · Foundation Course, Camberwell College, London, UK
• 1967 · Born in Zurich, Switzerland

+ Artist's Statement

A dream of:

Into sleep we descend night after night - our bodies at rest as a part of us travels into the darkness of the altered state of consciousness that is sleep. Above, in the waking reality we play out our lives, acting out our respective stories in a physical universe we are apt at manipulating but nonetheless have very limited knowledge of.

In my body of work I have always explored, in one way or another, the domestic sphere, our immediate surroundings and in particular the bed, where we spend a large part of our lives. If our home is the interior to which we return everyday for respite from the outside world, sleeping and the dream realm are where we go to even deeper levels of ourselves. It is a kind of journey to our most intimate space, a descent into the storehouse of our memories, our hopes, fears and desires, and the accumulation of our ideas and beliefs.

In dreams, elements of reality come together to make constellations that would otherwise be unimaginable. We create new connections between things, space and time. There is a sense of experimental freedom, dominated by the surreal and paradoxical, a relief from the logic and reason that shape the waking hours.

This sense of impossible simultaneities finds its way onto my canvases, through a process of transformations that starts with a photograph of an unmade bed and ends up as an abstract painting.

Like the protagonist Toru Okada in Murakami’s ‘The Wind-Up Bird Chronicle’, who repeatedly descends into the darkness of a well to find clues to the mysterious events that are happening in his life, the paintings in ‘a dream of:’ make use of the disjointed quality so typical to our nocturnal journeys, to evoke the powerful and strange feeling a visceral dream can leave behind and linger as a presence, or a present, from the underbelly of life. It is the connection that we make when dreams enter the waking consciousness that I am interested in. Like a bridge or a tunnel it allows traffic and communication between ‘above’ and ‘below’.

There was a practice in ancient Greece called Incubation, whereby people who needed spiritual guidance or healing, would spend an extended period of time in a dark cave, or a light deprived chamber inside a temple. There they would lie without the stimulus of daylight on their retinas to make images and produce the colors which shape the world as we see it during our waking hours.

Sleep to most is no more than a necessity. However, maybe during those hours spent in this almost unconscious state, something is illuminated that cannot be seen in the brightness of the day.

© Liliane Tomasko, 2018

+ Bibliography

Today, two centuries since Keats articulated his concerns about the demise of awe, one artist, the Zurich-born abstract painter Liliane Tomasko, is single-handedly reweaving wonder back into the fabric of the rainbow. Her recent series of exquisite works entitled Amygdala – which take their name from the almond-shaped bundle of neurons in the human brain that controls emotions (including happiness and fear, anxiety and awe) – are a tight tangle of edgy exuberance in the face of the world’s beauties and dangers. Amygdala’s sinuous bands of acrylic spray blur the boundary between internal and external worlds – between the surging byways of the brain that perceive the wondrous phenomena of the universe and the ribbons of rainbow-refracted light that, for example, elicit our awe. In Tomasko’s misty and mystifying vision, the soul stops counting with its invisible fingers and merges with the mystery – meditates on how we fit into the magical weave of being here. Isn’t that wonderful? (Kelly Grovier, A lost masterpiece. BBC.com, 19 December 2019)

CATALOGUES

• Liliane Tomasko: NAME ME NOT, essays by Javier Molins an Kirsten Claudia Voigt, published by CAB Burgos, Spain, 2023.
• Liliane Tomasko: Evening Wind, essay by Faye Fleming, published by Edward Hopper House Museum and Study Center, Nyack, 2022
• Liliane Tomasko: we sleep where we fall, Paintings 2000-2020, essays by Kirsten Voigt, Raphy Sarkissian and Kelly Grovier, Hatje Cantz, Berlin, 2021
• Liliane Tomasko: dark goes lightly, published by Chateau La Coste & Oscar Humphries, 2019
• Contemporary Chaos: Curated by Demetrio Paparoni, published by Vestfossen Kunstlaboratorium Foundation, 2018
• Feeling Folding, essay by Jiang Yuehong, published by PIFO Gallery, Beijing, 2017
• Park, ed. Wang Yefu & Darragh Hogan, published by Holly’s Gallery, Guangzhou / Kerlin Gallery, Dublin, 2017
• Scully + Tomasko, edited and text by Javier Molins, published by Fundacio Bancaja, 2016
• Liliane Tomasko: Texere, texts by Juriaan Benschop & Florian Steininger, published by Bechter Kastowsky Galerie, 2016
• Liliane Tomasko: Sense, essay by Sue Hubbard, published by Kerlin Gallery, Dublin, 2015
• Liliane Tomasko: Mother-Matrix-Matter, essay by Heather Diack, published by Lowe Art Museum, University of Miami, 2015
• Liliane Tomasko: In Visible World, essay by Virginia Shore, published by Phoenix Art Museum, 2015
• Liliane Tomasko: Vestige, essay by Kelly Grovier, published by Timothy Taylor Gallery, London, 2013
• Liliane Tomasko. Luminous Matter published by Czernin Verlag, Vienna, 2011
• Liliane Tomasko: Recent Paintings, essay by David Cohen, published by New York Studio School, New York, 2010
• Liliane Tomasko. De l’intime et du pli, essays by Gilles Altieri and David Cohen, Hôtel des Arts, Centre Méditerranéen D’Art, Toulon, 2008
• Liliane Tomasko, essay by Enrique Juncosa, published by Galeria Carles Taché, Barcelona, 2007
• Liliane Tomasko, essay by Edward Lucie-Smith, published by Galerie Jamileh Weber, Zurich, 2006
• Go Between’ 9 Positionen zwischen abstrakter und figurativer Malerei, text by Markus Golling with a foreword by Sean Scully, Kunstverein Aichach, September 2006
• Liliane Tomasko, essay by Sean Scully, Walter Storms Galerie, Munich and Sala Pelaires, Palma de Mallorca, 2004
• Liliane Tomasko: Beds, essay by Edward Lucie-Smith, published by Galeria Llucià Homs, Barcelona, 2002

ESSAYS

• Rosa Abbott, Liliane Tomasko: Mapping the Human Psyche – Kerlin Gallery, Dublin, Artlyst, 26 March 2019
• Altieri, Gilles, “Avant-propos”, in exhibition catalogue Liliane Tomasko. De l’intime et du pli, Hôtel des Arts, Centre Méditerranéen D’Art, Toulon, 2008
• Altieri, Gilles, “Liliane Tomasko painter of silence”, in exhibition catalogue Liliane Tomasko. De l’intime et du pli, Hôtel des Arts, Centre Méditerranéen D’Art, Toulon, 2008
• Benschop, Juriaan, “Interiors”, in exhibition catalogue Liliane Tomasko: Texere, Bechter Kastowsky Galerie, 2016
• Binkin, Maya, From the Real: Liliane Tomasko and Sean Scully, Newlands House Gallery, 2021.
• Carrier, David, “The Space Between Things”, Interview in exhibition catalogue Walter Storms Galerie, Munich and Sala Pelaires, Palma de Mallorca, 2004
• Carrier, David, Liliane Tomasko: We Sleep Where We Fall, The Brooklyn Rail, April 2021
• Císcar Casabán, Consuelo, “Scenes of Life”, in exhibition catalogue Liliane Tomasko. Luminous Matter published by Czernin Verlag, Vienna, 2011
• Cohen, David, “Liliane Tomasko’s Idea of Painting” in exhibition catalogue Liliane Tomasko. De l’intime et du pli, Hôtel des Arts, Centre Méditerranéen D’Art, Toulon, 2008
• Cohen, David, “Liliane Tomasko’s Idea of Painting”, in exhibition catalogue Liliane Tomasko, New York Studio School, New York, 2010
• Deupi, Jill, “Foreword”, in exhibition catalogue Liliane Tomasko: Mother-Matrix-Matter, Lowe Art Museum, University of Miami, 2015
• Diack, Heather A., “Liliane Tomasko and the Texture of Light”, in exhibition catalogue Liliane Tomasko: Mother-Matrix-Matter, Lowe Art Museum, University of Miami, 2015
• Dunne, Aidan, Liliane Tomasko’s abstract dream paintings offer no neat solutions, The Irish Times, 19 March 2019
• Fleming, Faye "An Evening Wind: the bed and revalation in the work of Edward Hopper and Liliane Tomasko", in exhibition catalogue Liliane Tomasko: Evening Wind, Edward Hopper Museum and Study Center, 2022
• Golling, Marcus, ‘Go Between’ 9 Positionen zwischen abstrakter und figurativer Malerei, Kunstverein Aichach, September 2006
• Grovier, Kelly, Art Since 1989, Thames & Hudson, World of Art series, 2015, pp.169-173, pl. 172
• Grovier, Kelly, “Vestige”, in exhibition catalogue Liliane Tomasko: Vestige, Timothy Taylor Gallery, London, 2013
• Hubbard, Sue, “A Painter’s Language”, in exhibition catalogue Liliane Tomasko: Sense, Kerlin Gallery, Dublin, 2015
• Humphries, Oscar, “Liliane Tomasko in conversation with Oscar Humphries”, in exhibition catalogue Vestige, Timothy Taylor Gallery, London, 2013
• Juncosa, Enrique, “The Unity of Folds”, in exhibition catalogue Liliane Tomasko, Galeria Carles Taché, Barcelona, 2007
• Kruszynski, Anette, “Werkkommentar Liliane Tomasko”, Jahresbericht 2005/2006 der Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2006
• Lucie-Smith, Edward, Art Tomorrow, Editions Pierre Terrail, Paris 2002
• Lucie-Smith, Edward, Liliane Tomasko, Galeria Llucià Homs, Barcelona 2002
• Lucie-Smith, Edward, Return, Galerie Jamileh Weber, Zurich 2006
• Molins, Javier, Sean Scully and Liliane Tomasko: When Painting Arises from Reality, in exhibition catalogue Scully + Tomasko, Javier Molins, Fundacio Bancaja
• Molins, Javier, “The long road to abstraction,” in exhibition catalogue Liliane Tomasko: NAME ME NOT, CAB Burgos, Spain, 2023.
• Radic, Sally, “Sculptural Paintings. Liliane Tomasko effects and folds”, in exhibition catalogue Liliane Tomasko. Luminous Matter published by Czernin Verlag, Vienna, 2011
• Sarkissian, Raphy, “Substratum”, in monograph Liliane Tomasko: we sleep where we fall, Paintings 2000-2020, Hatje Cantz, Berlin, 2021.
• Scully, Sean, “La Tercera Orilla / The Third Shore / Das dritte Ufer ,” in exhibition catalogues Liliane Tomasko, Verlag Walter Storms, Munich and Sala Pelaires, Palma de Mallorca, 2004.
• Shore, Virginia, “Liliane Tomasko: In Visible World,” in exhibition catalogue Liliane Tomasko: In Visible World, Phoenix Art Museum, Phoenix, 2015.
• Steininger, Florian, “Liliane Tomasko: Texere – Die Malerei als Abstraktes Gewebe / Painting as an Abstract Fabric,” in exhibition catalogue Liliane Tomasko: Texere, bechter kastowsky galerie, Vienna, 2016.
• Steininger, Florian, “Sean Scully & Liliane Tomasko: Malerie Beziehung / Painterly Relations,” in exhibition catalogue beide | both. Sean Scully + Liliane Tomasko, Kunstwerk Sammlung Klein, Eberdingen-Nussdorf, 2017.
• Voigt, Kristen Claudia, “Dream textures, interior lines: impulse and permeability in Liliane Tomasko’s abstract paintings”, in exhibition catalogue Liliane Tomasko: NAME ME NOT, CAB Burgos, Spain, 2023.
• Voigt, Kristen Claudia, “Schemes and Suspension, in monograph Liliane Tomasko: we sleep where we fall, Paintings 2000-2020, Hatje Cantz, Berlin, 2021.
• Voigt, Kristen Claudia, “Liliane Tomasko” in exhibition catalogue Inventing Nature. Plants in the arts, Kunsthalle Staatliche Karlsruhe, Karlsruhe, 2021.
• Waibel, Valeria, “Vorwort / Foreword,” in exhibition catalogue beide | both. Sean Scully + Liliane Tomasko, Kunstwerk Sammlung Klein, Eberdingen-Nussdorf, 2017.
• Yuehong, Jiang, “On the Day-to-Day Poetics of Liliane Tomasko’s Art,” in exhibition catalogue Feeling Folding, PIFO Gallery, Beijing, 2017.
• Zweite, Armin, “Between Sensuality and Melancholy: On a Selection of Paintings by Liliane Tomasko,” in exhibition catalogue Liliane Tomasko: Luminous Matter, Czernin Verlag, Vienna, 2011.

+ Collections

• Albertina Museum, Vienna, Austria
• Bank Vontobel AG, Zurich, Switzerland
• Charles Library Art Collection, Temple University, Philadelphia, USA
• Collection du Conseil Départemental du Var, Toulon, France
• Drogheda Municipal Art Collection (DMAC), Drogheda, Ireland
• Hilti Art Foundation, Schaan, Liechtenstein
• Hôtel des Arts, Centre Méditerranéen D’Art, Toulon, France
• Hugh Lane Gallery, Dublin, Ireland
• IVAM-Institut Valencia d’Art Modern, Valencia, Spain
• K20 K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
• Kistefos Museum, Jenaker, Norway
• Kunstmuseum Bern, Bern, Switzerland
• Lowe Art Museum, Miami, USA
• Luther W. Brady Art Gallery at the George Washington University, Washington D.C., USA
• The Modern Art Museum of Fort Worth, Fort Worth, Texas, USA
• Sammlung Klein, Eberdingen, Germany
• Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany
• Staatliche Graphische Sammlung, Munich, Germany
• Städtische Galerie im Lenbachhaus, Munich, Germany
• Try-Me Collection, Richmond, Virginia, USA
• Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, USA

+ Press

2024

• Raphy Sarkissian, Liliane Tomasko: Shifting Shapes, The Brooklyn Rail, June 2024

2023

• Liliane Tomasko with Phong H. Bui, Art, In Conversation, The Brooklyn Rail, April 2023 (and front cover)
• La Lettura, Corriere Della Sera #597, 7 May 2023 (front cover)
• Jaqueline Milner, Liliane Tomasko: all that we hear, 2022, Pull Focus, Art Collector, Sydney Contemporary 2023 Sepcial Edition, pp. 28-29

2022

• Raphy Sarkissian, Liliane Tomasko: Evening Wind, Brooklyn Rail, 14 June 2022
• Nadja Naumann, Traum oder Albtraum, Kunst Mag, kunst:art 82, 8 January 2022
• Aidan Dunne, Spell of the Wood: a midsummer’s-night dream, The Irish Times, 18 July 2022

2021

• Kate Sutton, Artful Volumes: The season’s outstanding art books, Bookfourm, Dec/Jan/Feb 2022
• Jens Asthoff, Magdeburg, Liliane Tomasko, Morpheus, Kunstforum International, November
• Jan Dalley, Driven to Abstraction, FT Weekend, Financial Times, 21 August 2021
• Nancy Cohen Israel, Right Angles, PATRON Magazine, August-September 2021
• Artist Power Couple Liliane Tomasko and Sean Scully at Newlands House Exhibition, Artlyst.com, 29 June 2021
• Imogen Greenhalgh, Eight shows to see in Sussex this summer, RA Magazine, 15 June 2021
• Jens Asthoff, Liliane Tomasko, Artforum International, Summer 2021
• David Carrier, Liliane Tomasko: We Sleep Where We Fall, The Brooklyn Rail, April 2021

2019

• Eduardo Alcántara, Señales de un viaje de ensueño, Luces, El Comercio (national newspaper, Peru), 26 January 2019
• David Cohen, Liliane Tomasko at Marc Straus, The List, artcritical.com, 15 February 2019
• Kerlin Gallery opens an exhibition of new paintings by Liliane Tomasko, Artdaily.com, 10 March 2019
• Liliane Tomasko’s “The Red Thread” at Kerlin Gallery, Dublin, 12 March 2019
• The Editors at ARTnews, Liliane Tomasko at Kerlin Gallery, Dublin, ARTNEWS, 14 March 2019
• Aidan Dunne, Liliane Tomasko’s abstract dream paintings offer no neat solutions, The Irish Times, 19 March 2019
• Ganz oder gar nicht, Ludwigsburger Kreiszeitung, 23 March 2019
• Rosa Abbott, Liliane Tomasko: Mapping the Human Psyche – Kerlin Gallery, Dublin, Artlyst, 26 March 2019
• Mel Clarke, This best of what’s on this week, Critical List, The Sunday Times, Ireland, 7 April 2019
• Kelly Grovier, A lost masterpiece. BBC.com, 19 December 2019

2018

• Effie Sutcliffe, And per se and: Part XXII Liliane Tomasko and Howard Hodgkin, The Student Newspaper, 19 February 2018
• Contemporary Chaos, Artron.net, 10 April 2018
• Mariacristina Ferraioli, Italia protagonista in Norvegia in una mostra al Vestfossen KunstLaboratorium. Le immagini, Artribune, 10 April 2018
• Kito Nedo, Die Haupt Schlag Ader, Art-Das Kunstmagazin, April issue, p. 60-65 (illus. p. 61)
• Paul Carter Robinson, Liliane Tomasko Interviewed Ahead of Her First Berlin Solo Show, Artlyst.com, 26 April 2018
• Paul Carter Robinson, Gallery Weekend Berlin 2018 Round-Up, Artlyst.com, 2 May 2018
• Dahgild Bartels, Berlins Galerienszene lässt die Muskeln spielen, Neue Bürcher Zeitung, 5 May 2018
• Blouin Artinfo, ‘Liliane Tomasko: a dream of’ at Blain/Southern, Berlin, 25 May 2018
• Blouin Artinfo, “Doodle & Disegno” at Blain/Southern, Berlin, 27 July 2018
• Marie Claire Digby, First Look: The Grayson – Dublin’s newest dining venue, The Irish Times, 11 August 2018
• ‘The inspiration of dreams’, Presenter: Samira Ahmed; Producer: Julian May; Guests: Matthew Sweet, Prof. Anil Seth and Liliane Tomasko, BBC Radio 4 Front Row, 5 September 2018

2017

• Cassidy Dawn Graves, Art that is ‘Vapid and Screaming’, Philosophical Collage, a Solo Show Duo, and More, Bedord + Bowery, 2 January 2017
• Survey of Liliane Tomasko’s Works at PIFO Gallery, Beijing, Blouin Artinfo, 9 January 2017
• Pei Gang, The Thing Under Textile: Liliane Tomasko’s Solo Exhibition, Artron China, 13 January 2017
• Zhang Chaobei, Liliane Tomasko: Folding in Domestic Life, Hi Art, 15 January 2017
• Marisol Salanova, Quien gana en el pulso Scully-Tomasko?, ABC Cultura, 17 January 2017
• Goodman, Jonathan, Ulf Puder and Liliane Tomasko at Marc Straus, Arte Fuse, 23 January, 2017
• Xue Danquing, Liliane Tomasko’s First Solo Show in China: Feeling Folding, Artnet China, 25 January 2017
• Merrill, Lizanne, Liliane Tomasko Bridging Reverie and Reality, Marc Straus NY, Artlyst, 11 February 2017
• Liliane Tomasko’s ‘Feeling Folding’ at PIFO Gallery, Beijing, Blouin Artinfo, 13 February 2017
• Wu Xiaoshuang, Liliane Tomasko: Seeking Poetics in Daily Life, YUNTOO, 19 February 2017
• CRITIC’s VIEW: Five Booths Not to Miss at VOLTA NY This Year, Hamptonsarthub.com, 2 March 2017
• Mitton, Desiree, VOLTA New York is International in Scope, Refreshing in its Digestibility, whitewall.art, 2 March 2017
• Art Review Asia recommends the top ten exhibitions in Asia and the international community, Art Review Asia, 20 March 2017
• Abstract Painting Now! Kunsthalle Krems, Wachau Magazin, 2017, p.85 (image)
• Philip Obergassner, 10 Jahre Kunstwerk Klein in Eberdingen-Nussdorf “Das Museum war eine Befreiung”, Stuttgarter Zeitung, 18 June 2017
• Suzanne Roth, “Das kann man nicht mehr toppen”, Mühlacker Tagblatt, 11 July 2017
• Lisa Stahl, Art Happenings when, where, and why, beautyandwellbeing.com, 6 July 2017 Sean Scully, Michael O. Kewenig (1948-2017), Artforum, passages, 26 July 2017 (photo)
• Tracy Bowden, #artistprofile Liliane Tomasko, apapachogallery.com, 2 August 2017
• Nicolai B. Forstbauer, 42,195 Kilometer für die Kunst, stN.de Stuttgarter Nachrichten, 9 August 2017 (illus.)
• Georg Leisten, Häusermauern und Heimtextilien, Stuttgarter Zeitung, 15 August 2017
• Art Industry News, artnet.com, 21 December 2017

2016

• Sarah Breen, 5 Glossy Things To Do This Weekend, The Gloss Magazine, 7 January 2016
• George Fishman, Three Shows at Miami’s Lowe Art Museum explore man’s character, Miami Herald, 8 January 2016
• Dietrich Pätzgold, Gemalte Gefühle: Künstlerpaar Scully/Tomasko in Rostock, Ostsee Zeitung, Kultur, 28 February 2016
• Karla Starecek, Liliane Tomasko: Zwischen leinen und tüchern, Kunstmagazin Parnass 03/2016, p. 154-155
• Natalie Pawlek, Reich an Kontrast, CBN Costa Blanca Nachrichten, 23 September 2016
• Sue Wang, PIFO Gallery announces the first exhibition in China of Liliane Tomasko, CAFA ART INFO, 22 December 2016

2015

• Von Dietrich Pätzol, Gemalte Gefhühle: Künstlerpaar Scully/Tomasko in Rostock. Ostsee-Zeitung, 28 February 2015
• Pobric, Pac, In the artist’s own words, The Art Newspaper, Number 273, November 2015, p. 28
• Robert Clark, Liliane Tomasko Dublin, Guardian Guide, 28 November 2014 - 4 December 2015
• Aidan Dunne, Liliane Tomasko: 'I don't think of myself as an abstract artist', The Irish Times, 14 December 2015
• Niall MacMonagle, What Lies Beneath: Yellow Leaning on Flimsy Greens, independent.ie, 28 December 2015

2014

• David Carrier, Into the Darkness: Liliane Tomasko, Brooklyn Rail, Artseen, 18 December 2014

2013

• Liliane Tomasko: Vestige, Time Out, 27 August 2013
• Liliane Tomasko: Vestige, Timothy Taylor Gallery, Artnet.com, 6 September 2013
• Liliane Tomasko. Vestige, Wall Street International, 6 September 2013
• Tim Forrest, Some New Exhibitions in London Galleries, Tim Forrest’s E & A, September 2013
• First London solo show by Swiss artist Liliane Tomasko opens at Timothy Taylor Gallery, artdaily.org. September 2013
• Timothy Taylor Gallery: Liliane Tomasko, Warhola Magazine 05, September 2013
• Tess Williams, Timothy Taylor Gallery: Liliane Tomasko, ART Wednesday, 10 September 2013
• Sam Phillips, Liliane Tomasko, Royal Academy of Arts Magazine. 27 May 2013

2012

• Aidan Dunne, Get ready for this close-up, The Irish Times, 4 May 2012
• Christin Leach Hughes, Liliane Tomasko-Deeper Dark, Sunday Times, The Culture, 13 May 2012
• Robert Clark, Liliane Tomasko Dublin, Guardian Guide, 12-18 May 2012
• Sarah Allen, Liliane Tomasko: Deeper Dark at Kerlin Gallery, Dublin, Aesthetica Blog, May 2012
• Ali Larkin, Deeper Dark: Liliane Tomasko @ Kerlin, Arthub.ie, 30 April 2012

2011

• Javier Molins, Retrato de la intimidad, ABC, May 2011
• Frederico Simón, Presencia insinuada, EL PAĺS.COM, 29 April 2011
• Rafa Mari, Liliane Tomasko, luz y emoción, LAS PROVINCIAS, 14 May 2011
• Hartmut Horstmann, Die Beseelung der Dinge, Westfalen Blatt, Nr. 285, 8 December 2011
• Lothar Lenz, Faszination von Licht und Stofflichkeit, Mindener Tagblatt, 9 December 2011
• Bärbel Hillebrenner, Mein Blick hat etwas Meditatives, Westfalen Blatt, Nr. 289, 13 December 2011

2008

• Martin Tschechne, Im letzten Licht des Abends, WELTKUNST, Heft 14/December 2008

2007

• Eva Moya, Paisatges domèstics, El Periódico, EXIT, Número 37, 14-20 June 2007
• Arnau Puig, Liliane Tomasko: Pintura Pintada, Bon Art, July 2007
• Conxita Oliver, Paisatges domèstics, AVUI, 28 June 2007

2006

• Suzanne Kappeler, Kunst-Flanerie, Die Kraft der Malerei, Neue Zurcher Zeitung, 18/19 March 2006
• Schweizer Illustrierte Nr. 12, Liliane Tomasko Von der Skizze zum gemalten Bild, 20 March 2006
• Dr. Berndt Herrmann, Der dritte Weg: dazwischen!, ‘Go between’ im Kreisgut, AichacherZeitung Nr. 212, 14 September 2006
• Angela Bachmair, Malerei entlang der Grenze, AZ Nr. 215, Feuilleton regional, 18 June 2006
• AN Aichach Nr. 212, Kartographie eines unbekannten Raums, ‘Go between’: Neun Künstler
• zeigen im Kreisgut malerische Positionen zwischen Abstraktion und Gegenständlichkeit,14 September 2006

2004

• Marcos Torio, Los recuerdos de Liliane Tomasko, El Mundo/ El Dia de Baleares, 4 June 2004
• Lourdes Durán, La emoción abstracta de Tomasko, Diario de Mallorca,4 June 2004

2002

• Ibet Vila, Liliane Tomasko: pintura corprendora, Bon Art, Revista d’Art, March 2002
• Francesc Miralles, Camas no solo para dormir, La Vanguardia, 22 March 2002
• Jaume Vidal, Màgica blanca, El Pais, 28 March 2002

+ Books

Liliane Tomasko, NAME ME NOT, essays by Javier Molins and Kirsten Voigt, published by CAB Burgos, Spain, 2023.

Liliane Tomasko, WE SLEEP WHERE WE FALL. PAINTING 2000-2020, essays by Kirsten Voigt, Raphy Sarkissian and Kelly Grovier, published by Hatje Cantz, Berlin Click here to purchase on Amazon.com

Liliane Tomasko: Evening Wind, essay by Faye Fleming, published by Edward Hopper House Museum and Study Center, Nyack, 2022

Liliane Tomasko: In Visible World, essay by Virginia Shore, published by Phoenix Art Museum, Phoenix, 2015. Click here to purchase on Amazon.com

Liliane Tomasko: Luminous Matter, text by Theodor Helmert-Corvey, Sally Radic and Armin Zweite, published by Czernin Verlag, Vienna, 2011. Click here to purchase on Amazon.com

For a full list of catalogues, see the bibliography above.